The Soap Factory is excited to partner with Kutilvera to bring four emerging and mid-career Minnesota-based artists to Tranås, Sweden, to participate in a month-long residency at their organization. This residency is about time and place, an opportunity to reflect and cultivate ideas through experience and exchange. Artists will be given opportunities to learn about their host city, meet other artists, and space to work independently or collaboratively in their studios.
This week's PD News roundup celebrates diversity in cultural diplomacy.
La Bestia is the popular name for the freight train that as many as a half-million Central American migrants a year ride during a perilous journey through Mexico to the United States border. The exhibit, organized by the Colectivo de Artistas contra la Discriminación (Artists Collective against Discrimination) explores that experience through art and poetry, the center says in an announcement.
Children need space to grow and art plays a pivotal role in creating not just any space, but a creative and conducive space. [...] This year, for the first time, the National Gallery of Singapore is making it possible. In its first Gallery Children’s Biennale, Singapore is leading the way in Asia to create space for children through art. The exhibition targets young visitors and it is curated in such a way that aim to captivate the imagination of the young: making art fun, interactive and accessible.
Principal Ryan Cleary said the idea came from the school's desire to work on cultural learning in an authentic way. "Learning about different cultures is part of the West Hartford curriculum and we do a lot of things with the resources we have," Cleary said. "We wanted to go a step further and learn about another culture through an authentic, real relationship and actually get to know somebody else. We wanted them to find a deeper meaning. We felt this would have a lasting impression."
Mark Bradford, one of America’s most acclaimed painters, could not figure out what to put in the grand rotunda. This artist, who is set to represent his country in May at the 2017 Venice Biennale, found an unusual way of working long-distance. In a warehouse in South Los Angeles, not far from where he grew up, he created a full-size model of the Biennale’s United States pavilion, a stately building with echoes of Monticello. Then he spent the last year testing out his ideas in it.
At the stringing table, most of the women wear hijabs. Natives of Syria, Iraq, Iran and Afghanistan, they have been in the U.S. less than two years, arriving in Houston through Interfaith Ministries of Greater Houston's refugee services program. They speak Arabic, Farsi, Pashto or Dari. Which is to say, they sometimes speak with each other only slightly better than they can talk with me.
This week’s PD News roundup looks at the connections that can be forged through cultural exchange.