Australia’s advantages as the place for high quality education for Asians include being native speakers of the only pan-Asian language (English), and being acceptable to almost every country as a partner (or place to visit or study). Policy should build on these advantages to maintain a key place in the coming Asian mosaic.

Hollywood has increasingly been looking east, encouraged by the recent relaxation of the quota on foreign films allowed into China and the popularity of Hollywood-made but China-based international blockbusters such as Kung Fu Panda 2.

China has long kept up a barrier against foreign films — wary of insidious cultural influences while sheltering its own filmmakers. Officials last raised the annual cap on foreign movie imports as a condition of joining the WTO in 2001. The recent increased foreign movie quota is a belated response to a trade dispute the U.S. won nearly three years ago.

“I hope that through this, the first of our cultural dialogues with China, we will develop deeper ties across all the areas that interest us. China is a country with a vibrant cultural past and a growing economic future. There is much that we can learn from one another.”

These were the words of China’s highest ranking female politician on the second day of her trip. Madam Liu Yandong, the most powerful woman in the country’s ruling Communist Party, said she “especially” selected Northern Ireland as the first stop on her European tour. She was speaking as she opened the new Confucius Institute at the University of Ulster..

Building China into a socialist country with strong cultural influences is a core principle... In order to achieve this goal, we must understand how best to enhance China's soft power and introduce the Chinese culture to the rest of the world. Take the book publishing industry as an example.

There is no doubt that the Chinese government tries to present to the world a cultural landscape that accords with its own political narrative...But there is equally little doubt that Chinese publishing today is a vast and varied field in which it is not hard to find writers who both satirise and criticise the Communist party and its record.

If a high-profile event focusing on Chinese literature risks further undermining freedom of expression in China, then why is the British Council teaming up with the body responsible for censorship to bring a bevy of Chinese authors to London?