A glimpse at how museums like the Canadian Museum for Human Rights can improve the image of the countries and cities where they are located.
The Vietnam Circus Federation will co-ordinate with the Happy Dream Circus Company from Japan to present a daily show in Ha Noi. The event is expected to enhance cultural exchange and mutual understanding between the two peoples, contributing to tightening the co-operation between circus artists from Vietnam and Japan, said Ta Duy Anh, director of the Vietnam Circus Federation.
This Sunday, September 3rd, the “Semana Internacional de Piano” (International Piano Week) arrives in Rio for a second edition. Taking place at the Cecília Meireles room, in Lapa, and Cidade das Artes, in Barra, the festival brings to the stage prestigious pianists from France, Russia, Croatia, Italy and Brazil until next Saturday, September 9th.
Many stories this week focused on how artistic expression can help build stronger relationships and increase a state's cultural visibility.
Auckland University of Technology has launched a “first of its kind” Indonesia Centre in a cultural diplomacy initiative. “The centre is an acknowledgement of the strong relationship enjoyed between the government of Indonesia and AUT, and the acknowledgement of both parties to strengthen that relationship,” AUT’s Vice-Chancellor Derek McCormack said.
U.S. Rep. Brian Fitzpatrick (R-District 8) traveled to Israel a few weeks ago with high expectations. The trip, which included visits with both Israeli Prime Minister Benjamin Netanyahu and his Palestinian Authority counterpart, Rami Hamdallah, as well as meetings with military personnel, from generals of the Israel Defense Forces to rank-and-file soldiers, exceeded those expectations.
Cold War tensions between the United States and the Soviet Union shaped the historical reality of the modern world. Given the current tensions between the United States and Russia, it is worth keeping in mind the past successes of U.S. cultural diplomacy. During the Cold War, one such success involved choreographer George Balanchine.