Photojournalism provides a visual history that both enriches and complicates our understanding of the world. In its wall-to- wall display of photos, the Gallatin School of Individualized Study launched Human Rights Week with “Lost to History: Covering Conflict in the Age of the Eternal Present” and aimed to illuminate stories that would otherwise go unseen or unheard.
Kim, one of many artists, storytellers and playwrights that descended on Mel Lastman Square for Friday’s Peace Fest, seeks to share stories of the traumatic past to enlighten the present and preserve the future.
Iran's approach to foreign policy changed dramatically after Hassan Rouhani was elected President of Iran in 2013. The most serious and comprehensive negotiations regarding Iran’s nuclear program started in 2013 between Iran and six world powers including the United States. An interim agreement was reached on November 24, 2013. A framework agreement was reached on April 2, 2015. And finally, the comprehensive deal was reached on July 14, 2015 to ensure that Iran’s potential pathway to developing a nuclear weapon is blocked.
Hardliners on both sides have ramped up their efforts to sabotage the deal, while both governments are trying very hard to defend the deal and present it as a historical victory, which it truly is. The publicity that the Iran Deal debates has gotten has allowed both the Iranian and American governments to portray their countries as pragmatic, pro-diplomacy, and pro-peace—thereby enhancing their soft power, as opposed to repellently boasting about their hard power.
The Art Of Future Warfare (AOFW) is a project sponsored by the Atlantic Council’s Brent Scowcroft Center on International Security. It’s based on the idea that writers, artists and game designers have a lot to offer policy wonks. So it’s launched a year-long effort to engagecreatives with a series of challenges about the future of conflict. August Cole, director of AOFW, believes the creative arts are essential to military and policy thinking.