It didn't take a divisive presidential election to get Mark Chester interested in immigrants. Chester has been celebrating immigrants for years, making it his mission to photograph two people from every nation. Chester is well on his way. Since 2011, he's photographed people from 185 of the world's 196 countries, all of them immigrants who have settled in Massachusetts, a state he affectionately calls "a mini United Nations."

Ken Liu is a prolific and award-winning author of stories that span the galaxies of futurism and fantasy. He also happens to interpret one cultural constellation for another: Liu is the leading translator of Chinese science fiction into English. “Science fiction can’t tell us a lot about the future,” he insists. “It’s more interesting for what it says about the society that produces it.”

Greater cultural exchange between Mexico and China allows to build "closer, brotherly and lasting ties", said Diego Prieto, director general of Mexico's National Institute of Anthropology and History. The federal official highlighted that a series of academic, scientific, artistic and literary exchanges in recent years had allowed commercial and economic relations to blossom in parallel.

Arirang Rhapsody, a cultural exchange exhibition featuring Chinese and South Korean artists, will open at the Korean Cultural Center and the Manet Art Museum in Beijing on Saturday. This marks the first time the exhibition, which debuted at the Jeju Museum of Contemporary Art in South Korea in July, has come to China. 

Wrapped in creative words and cultural visions, the Lahore Literary Festival brings to London, Pakistan’s artistic thinking and classical heritage. This rare sight of Pakistan, at the BP lecture theatre of the British Museum, will take place on Saturday 29th October 2016. With exceptional artists, writers, and cultural commentators, the festival will explore outstanding ideas. For the very first time, London will be celebrating the visionary liveliness of Lahore.

At the time, the field of mosaic conservation and documentation was still very much in a nascent phase both at the University of Damascus and at Syria’s museums, and digital archiving [...] gradually replaced the antiquated system of index cards. It was an ambitious initiative that was moving apace until the sirens of war brought it all to a halt in 2011.