When it comes to China stories, people will believe almost anything. Take, for instance, the reports about pollution being so severe in Beijing that residents now watch radiant sunrises broadcast on a huge screen in Tiananmen Square. When it comes to China stories, people will believe almost anything. Take, for instance, the reports about pollution being so severe in Beijing that residents now watch radiant sunrises broadcast on a huge screen in Tiananmen Square.

A new Asian diplomatic row broke out on Monday after China unveiled a memorial to a Korean national hero who assassinated a Japanese official a century ago - with Tokyo condemning him as a “terrorist”. In 1909, Ahn Jung-geun shot and killed Hirobumi Ito, Japan’s first prime minister and its top official in Japanese-occupied Korea, at the railway station in the northeast Chinese city of Harbin.

In prosperous Hong Kong, arts and culture are commodities, with institutions increasingly blurring the lines between retail spaces and galleries. Yet despite being the third largest auction market in the world, the city is lambasted, often and loudly, for its lack of sophistication and cultural vacuity. Therein lies the cultural paradox: its focus on big hits and big profits doesn't always create fertile ground for homegrown talent.

The Chinese Academy of Sciences unveiled a homegrown operating system called COS (for China Operating System) this week, which it called a crucial national security initiative in light of revelations about pervasive online surveillance by the US National Security Agency. But China’s 618 million internet users aren’t buying it.

Global media in public diplomacy has increasingly proved its usefulness in recent years. Many governments have competitively engaged in a war of public diplomacy through media to make their countries look attractive and friendly to foreigners while also setting the stage for others to understand their positions in the international arena. The success or failure of public diplomacy through media, however, can only be judged by its intended audience.

Just because both invoked the fictional evil wizard of the Harry Potter series, Lord Voldemort, the bickering between Chinese ambassador to the United Kingdom Liu Xiaoming and his Japanese counterpart Keiichi Hayashi in the Daily Telegraph has been a huge media sensation. Which is perfectly understandable.

China's largest official news agency, Xinhua, is experiencing some growing pains on Twitter. It started tweeting in March 2012, but has amassed only 22,942 followers since, small potatoes set against its 9.2 million fans on Weibo (Chinese Twitter). Snafus like this might help explain why Xinhua's not getting more English-language social media love.

For those who missed the “Voldemort Wars” between the Chinese and Japanese ambassadors to the UK this past week, China’s ambassador Liu Xiaoming, in a piece in The Telegraph, compared Japan’s militarism to Lord Voldemort — the same He-Who-Shall-Not-Be-Named from the Harry Potter series.