Cultural Diplomacy
In November last year, artists from India and China got together at Diggi Palace in Jaipur for a week-long art residency project called ‘Maitri’. It was a cultural dialogue to promote peace using art as a tool.
Music- and art-based outreach programs have been successful in combating extremism in cities like Minneapolis, but they're facing a roadblock. Stringent visa standards from the State Department are blocking many foreign artists from entering the country, and harming communities that need these programs the most.
The concert last Friday was the first by an American musician in Iran since the 1979 revolution. Officials from the Ministry of Culture and Islamic Guidance sat in the front row, nodding their heads to renditions of tunes by Miles Davis, Herbie Hancock and Mr. Belden’s own compositions. The Iranians who filled the 1,200-seat theater clapped and cheered.
Prime Minister Narendra Modi Monday said it was time for India to "realize the potential of soft power" as an important strategy for external affairs and foreign relations. "India should leverage its great traditions and culture in forging ties with countries around the world in a way that is deeper, more personal, and therefore, far more powerful," he said.
When artists look for a dream workspace, Manhattan exerts a powerful pull. But for choreographer and cultural ambassador Ronald K. Brown, who celebrates the 30th anniversary of his troupe Evidence, A Dance Company with a run at the Joyce Theater this week, creative opportunities led him back to his Brooklyn roots.
China, having transformed from an emerging economy to a global powerhouse, well knows its significance. From overseas economic and humanitarian aides to language teaching and cultural promotion, the Chinese government has spared no effort in enhancing its influence and acceptance on the international stage.
Britain's Prince William published a video message on Wednesday to send his good wishes for the Chinese New Year ahead of his first visit to China.
Neither the people behind A Taste of China nor those at Light Chaser are intentionally pushing political agendas. That is what makes this a genuinely new era in Chinese propaganda. These projects have their own voice, yet they do propagate a preferred narrative, one of a problem-free Chinese culture.