Cultural Diplomacy
On Oct. 29 and 30, the USC Center on Public Diplomacy's research team in Shanghai released the final two video conversations in the series. The first video highlights views from the Chinese pavilions, including its national and regional provinces and the second features an interview with the Secretary General of the International Exhibitions Bureau. Click here to view the videos.
Delivering invigorating Latin jazz was only part of pianist Chucho Valdés's agenda Saturday night at the Warner Theatre; he also affirmed alliances between various Afro-Cuban idioms and several American jazz legacies.
Co-author: Andras Simonyi
Budapest, Hungary -- In the run-up to the NATO summit Nov. 19 in Lisbon, the transatlantic community must confront not just the burning issues it faces (from Afghanistan to Russia), but the way free nations can and should wield their power for global progress.
The goal of the Bridge to Future Success programme is to improve and strengthen capacity of selected secondary and higher education institutions to develop cultural and educational relations between the UK and Nakhchivan Autonomous Republic (NAR).
How does Brand Oz look in China these days? Jennifer Mills went to the Shanghai Expo to see the results of Simon Crean's recent nation branding exercise.
The New York Philharmonic canceled a trip to Havana last year because the United States government refused to allow its wealthy patrons to go along, saying they would essentially be tourists. That violates sanctions banning most travel to Cuba.
Over the last months Jay Wang from the USC Center on Public Diplomacy in Los Angeles, CA has done a formidable work covering the pavillions of some of the most important countries and the world and has also interviewed some of the executives in charge of them.
Earlier this week we looked at how countries have taken different tactics in their nation branding efforts at the Shanghai’s World Expo. But, how do these approaches render in real life?