In short, diplomacy is changing, or perhaps expanding. “The power shift is from control of government to smaller institutions and groups of individuals,” Scott said. “We have lost control of our information system — and we won’t get it back.”

The innovation team is using technology in support of an agenda Clinton calls 21st Century Statecraft. When Clinton arrived at the State Department in 2009, Scott recently told members of the Association of Opinion Journalists, she asked her staff two questions: “How is the Internet changing … international relations and the conduct of foreign policy? … More importantly, what are we doing about it?”

President Barack Obama in his Nowruz address to the Iranian people coined the term “electronic curtain” to describe the lack of access to online information in Iran.Now, the United States government has launched a campaign based upon the phrase.

At the end of November 2010, the world did a diplomatic double-take when WikiLeaks, a not-for-profit media organization released confidential U.S. diplomatic cables.

Through the International Security Assistance Forces AFPAK Hands program, detailed in my previous post, we have learned that much of the efforts towards Afghan media, on the part of ISAF and the international community, are directed towards the Afghan media who have the largest audience

Through the International Security Assistance Forces AFPAK Hands program, detailed in my previous post, we have learned that much of the efforts towards Afghan media, on the part of ISAF and the international community, are directed towards the Afghan media who have the largest audience. Much of this feedback was received from media outlets themselves. However, there are many other media outlets who communicate to specific audiences.

This year's Oscar for the best foreign film went to Iran, a country which is grappling with a tense international environment because of its nuclear program. Despite its small budget, A Separation has come to generate a considerable amount of discussion both inside Iran and abroad. One debate, always important to Iranians, is about the contribution of such movies to the Iranian image.