Now, an exhibition featuring more than 100 artworks and models of the museum has turned the spotlight on the institution itself. It illuminates the story of the Louvre and its transformation from a medieval fortress 800 years ago, to a grandiose palace and then a home to academies and studios before it became the world’s most visited museum and a cultural titan.

Today, the world faces a list of global challenges, including poverty, war, migration, terrorism, oppression and disrespect for human rights. Every country is vulnerable to these risks. In this era, the greatest response to these challenges is humanitarian diplomacy, which could increase awareness, mobilize people, influence decision-makers and get government support. [...] Humanitarian diplomacy facilitates stronger partnerships in response to the needs of vulnerable people affected by global challenges.

Less than a year after the landmark nuclear deal came into effect, Iran was on the verge of another unlikely diplomatic breakthrough. And one of the country's most powerful arsenals remains locked away deep in the bowels of a dimly lit state-owned building in Tehran, hidden from the world's eyes. Some might call that a tragedy. Because by any measure, the collection held at the Tehran Museum of Contemporary Art is exceptional, the greatest outside the West.

The graffiti was a part of a project called "Outside In: The Art of Inclusion: A Place for Arts and Culture in Cairo's City of the Dead.” Archinos Architecture implemented the project in cooperation with the Polish Embassy in Cairo. The project was funded by the European Union. Two Polish artists were invited to paint cheerful graffiti on the walls of the area to let its residents feel surrounded by the arts. 

“The basic strategy and premise of the Container Artist Residency is using existing economic infrastructure as an infrastructure for cultural exchange,” the project’s website says. “Container Artist Residency identifies the shipping industry as a driving cultural and economic force in the contemporary world, and encourages artists to rethink their practice from this unique perspective.”

During the second half of the 19th century, Tihosuco, a small town in the Yucatan Peninsula of Mexico, was at the center of the indigenous rebellion called the Caste War. Overwhelmed by economic hardships, constant and increasing taxation, repression by Yucatecos (the local population of European descent), and more, the Maya revolted against Mexico, hoping to recover their territory and heritage. 

How did an art exhibit in an abandoned Hong Kong restaurant turn into an international mural festival based in Kakaako? The evolution of POW! WOW! Hawaii, an event known to contemporary artists around the world, started with local artist Jasper Wong. When he was based in Hong Kong in 2010, Wong set out to create art that focused on process and collaboration rather than sales potential.