The contemporary, increasingly international version of Christmas is less a religious festival than a celebration of affluence, modernity, and above all Westernness. [...] Without anyone willing it, Christmas has become part of a package of Western soft power.

A family of Syrian refugees had been invited to dinner in a penthouse atop the Waldorf Towers, the official residence of the United States ambassador to the United Nations. [...] Morad and Ola Al Teibawi, and their five children — ages 3 to 17 — came to the Waldorf from their tiny apartment in Paterson, N.J., on Monday evening, guests of Samantha Power, the United States ambassador to the United Nations, and her husband, the writer and law professor Cass Sunstein.

Following the miraculous success of this year’s Giant Lantern Festival in the City of San Fernando, more good news arrived as the City Government received letters of thanks and positive publicity from the various consulates and embassies of the Philippines abroad where the San Fernando lantern has been making rounds as an iconic symbol of Filipino Christmas.

Nigeria is falling in love with Star Wars. There are two reasons. There's a growing nerd culture in the country — young people who love science fiction and see it as a way to imagine our own futures as something better than our present […] The other reason: John Boyega, […] son of Nigerians who settled in Britain.

Ai Wei Wei, the renowned Chinese artist who is currently visiting refugees on the Greek island of Lesbos […] has been sharing pictures and videos on his personal Instagram account, drawing attention to the plight of the thousands of refugees risking stormy waters to escape war and hardship.

It's this youthful energy that is fueling the museum's exhibit "Making Africa — A Continent of Contemporary Design" (through February 21, 2016), which showcases 120 artists and designers. Although there's no way to fully capture the essence of all 54 countries, Joos says, she considers this a "starting point to discuss the continent in another perspective." Or rather, many perspectives — for two years leading up to the exhibit, the museum conducted meetings in cities all over Africa to ask questions like, "What is African design?"