Cultural Diplomacy

On the opposing side, there are those who cite Kuwait in the sixties, seventies and a substantial part of the eighties when its leadership in development, business, foreign aid and cultural production afforded it a soft power influence many times its counterparts.

The use of violence to curb violence is a dangerous trend and through such means violence can’t be curbed, as only people-to-people contact and cultural diplomacy can bring long-lasting peace, said renowned American professor and teacher of digital video production Dr Brian Bailey.

As part of the American Music Abroad program, the Department of State and American Voices will create a series of international musical exchange tours. International touring activities will include public concerts, master classes, lecture-demonstrations, workshops, jam sessions with local musicians and media outreach.

March 9, 2012

Great Britain is a very different place from Cool Britannia. Coolness might have been the single most impressive human quality, according to the guitar-wielding Tony Blair and his baby-boomer cohorts, but the Conservative-dominated government of today prefers an adjective of stiffer stuff.

The Indonesian minister, said that deeply rooted cultural affinity and commonality between Iran and Indonesia prepares grounds for upholding relations and cooperation between the two countries. In cultural diplomacy, all parties should look forward to commonalties....

Ma’s push to reposition Taiwan on the international stage as a peacemaker... “We are trying to deliver on this goal by utilizing our soft power assets in a variety of fields spanning humanitarian aid and cultural exchanges, and as a creator of business opportunities and high-tech devices.”

When Iranian filmmaker Asghar Farhadi took the stage to accept the Oscar for A Separation, he spoke of his film as a counter narrative to talk of war and offer a view of Iran “through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.”

When Iranian filmmaker Asghar Farhadi took the stage to accept the Oscar for A Separation, he spoke of his film as a counter narrative to talk of war and offer a view of Iran “through her glorious culture, a rich and ancient culture that has been hidden under the heavy dust of politics.” During times of escalating political rhetoric, films can help shape and, as Farhadi hopes, reshape national images. For public diplomacy, the Oscars offer lessons not only in culture, but in the persuasive power of storytelling.

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