Cultural Diplomacy

Cultural exchange between China and Nigeria got another boost on Thursday when the "Beijing Television Dramas and Movies Broadcasting Season in Africa" was declared open in the West African country. At least 17 Chinese movies and TV dramas of various categories, including urban comedy, love, family and adventure, are to be aired in Nigeria throughout the season.

Headlines explored India's use of public diplomacy through education, exchanges, and music

La Yekthar Show: Episode 14 برنامج لا يكثر: الحلقة الرابعة عشر

How a Saudi comedian is promoting the country to YouTube audiences even as he criticizes it.

Sino-German Media Co Ltd, a TV production joint venture, said it hopes to produce moreprograms about Chinese culture at its production center in Tianjin to show to viewers inGermany. The company has reached an agreement with Tianjin Foreign Cultural Trade Base, an organization for cultural exchange between domestic and overseas enterprises.

Changdong district, a relatively small residential commuter area, lies on the northern outskirts of Seoul. Home to a few hundred thousand people, it's an area that's growing but which has little cultural facilities or industry. [...] City planners hope that K-pop can do for Changdong what the Beatles did for Liverpool in the UK attracting both locals and tourists into the area, who could bring jobs and spending power with them.
 

he American Federation of Arts (AFA), Asia Society, the Chinese Museums Association, and the Nanjing Museum are pleased to announce the U.S.-China Museum Summit will take place in New York City from September 25 to 28, 2016, bringing together museum directors and cultural leaders from both countries. Participants will explore opportunities for cultural exchange...

Chinese, Swedish and Germans will have a taste of local music during Botswana's 50th independence celebrations, courtesy of ReBatswana Music Ensemble. The music ensemble is a colourful, spirited showcase of traditional, folk, afro jazz and modern music and they are booked to perform in the said countries.

Expos, the quinquennial display of national, corporate and cultural hegemony started as commercial fairs more like today’s trade shows than the theme parks they are today. [...] Subsequent expos evolved into highly branded affairs in which participants sought a revivified international identity as nations and did so with increasingly bombastic pavilions.

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