While Abdurrahman Wahid’s philosemitism was an exception, it is clear that people-to-people relations are the best way to humanize Israel’s public image in Indonesia and hold great potential to bring both countries closer together for the benefit of their people.

What was supposed to be a farewell tribute to a friend and collaborator of the government and people of Virginia Beach became a testament to the strength, dynamism and great promise of the Sister City relationship of Olongapo City and Virginia Beach.

While the field in Metro Vancouver is already crowded with proposed Chinese art museums and facilities [...] “This is a cultural bridge between China and Canada,” Ye said. “First, it’s a place where Canadians can get the most authentic, top-level cultural exhibits from China today. Second, it gives Chinese-Canadians — no matter how many generations they’ve been here — to have a visual and tangible link to what their ancestral culture has to offer.”

In Washington, D.C., home to most national museums in the country, should there be a museum expressly dedicated to Asian Pacific American history and culture? For Franklin Odo, the founding director of the Smithsonian's APA program from 1997-2010, that has since been upgraded to a "center," the time has come for an even further upgrade to a full-fledged museum.

Every year, Americans with roots in Eurasian countries organize public festivals featuring music, dancing, and food to mark the Nowruz holidays. In cities from New York to Los Angeles, Chicago to Houston, Americans introduce and inspire others unfamiliar with Nowruz and its celebrations.

The United States Rwandan Diaspora (USRD), in collaboration with the Embassy of Rwanda in Washington, DC, and the Rwandan International Network Association (RINA) will today convene the first US-Rwandan Women’s Convention.

Initially screened once a week, the show quickly captivated mainstream Australian viewers as well as Chinese-speaking migrants, so that now, due to popular demand, it is screened three times a week. SBS’s online promotion for the show says, ‘With a viewing audience of up to 50 million per episode, this popular Chinese dating show is a cultural phenomenon’.