The American director of the chilling Indonesian documentary “The Act of Killing” has won dozens of awards so far for the film and could add one of the movie industry’s most coveted honors Sunday at the Oscars. But so far, the director, Joshua Oppenheimer, has not succeeded in accomplishing what he considered a greater goal — jump-starting a debate in Indonesia that will compel the government to finally open a formal inquiry into one of the worst mass murders of the 20th century.

Mexican director Alfonso Cuaron appears among the odds-on favorites to take home a Best Director Oscar on Sunday for his space thriller “Gravity.” The 52-year-old Mexico City native, Cuaron gained fame for his 2001 film “Y Tu Mama Tambien,” an insightful look at Mexican youth struggling with class, prejudice and sexuality issues.

It had been years since a crowd this big gathered for an event like this. Hundreds filled Khartoum International Community School's amphitheatre, a posh school for children of the city's elite, some even crammed on its stairways. A white screen slowly descended and after short introductions, a film began rolling.

Films from Asia are the clear winners at the 2014 Berlinale film festival in the German capital. Chinese thriller “Black Coal, Thin Ice”, scooped the top Golden Bear prize, while Liao Fan, who played the lead role in the film, won the Silver Bear for Best Actor. Told through flashbacks, the story is about a former policeman investigating gruesome murders in 1990s northern China.

Media Works, the film production company founded by Hoyu Yamamoto, specializes in producing Yakuza movies, almost all of which are based on true events. They produce dozens of movies a year, making up 80 percent of all Yakuza films put out each year. Unfortunately for them, gang expulsion laws were passed two years ago in an effort to prevent Japanese entities from working with the Yakuza.

In prosperous Hong Kong, arts and culture are commodities, with institutions increasingly blurring the lines between retail spaces and galleries. Yet despite being the third largest auction market in the world, the city is lambasted, often and loudly, for its lack of sophistication and cultural vacuity. Therein lies the cultural paradox: its focus on big hits and big profits doesn't always create fertile ground for homegrown talent.

A film adaptation of a memoir about the oldest son of a founding member of Hamas who spied on the militant group for Israel will be one of four Israeli films competing in this year's Sundance Film Festival. A fifth film, directed by an Israeli filmmaker but produced abroad, will also be competing.

Vision First, an NGO dealing with refugee issues, presents daunting statistics: of the 12,409 people who sought asylum in Hong Kong in the past 21 years, just four succeeded. Despite such enormous odds, about 800 people still flock to the city seeking refuge each year - and that's excluding 1,200 others who claim to have been tortured in their home countries.