This year’s Malmo Arab Festival in Sweden will screen more than 100 Arab films in a bid to facilitate cross-cultural exchange, it is set to run from September 2-8. Directed by Mohammed Keblawi, the festival will showcase films from countries around the region including Palestine, Qatar, Syria, United Arab Emirates and Saudi Arabia. The festival will also honor a number of Arab actors and industry experts for their contributions to the world of Arab cinema, television and theatre.

This week on South2North Redi speaks to three film directors who have dealt with different forms of censorship and story-telling in Africa. Jahmil Qubeka’s film Of Good Report was banned on the opening night of the Durban International Film Festival - allegedly for showing child pornography.

If the box office is anything to go by, Godzilla – the most famous Japanese monster of old (kaiju) – is enjoying a rebirth. Just yesterday, Guillermo del Toro’s kaiju-inspired Pacific Rim invaded Chinese cinemas and raked in record opening ticket sales of $9 million. Meanwhile, news of Godzilla redux, set for release next May, is sparking heated chatter online, following an appearance of the film’s director Gareth Edwards at Comic-Con in San Diego last month.

There is a traditional African proverb that warns, “When elephants fight, it is the grass that suffers.” The grasses of Rwanda have known suffering. But while the elephants grew tired of fighting, the grass continued to grow. After the genocide in 1994, the national strategy for recovery was based upon the tenets of reconciliation, repatriation, and remembrance. In order to make sure “never again” became a reality and not just a mantra of genocides past, the government of Rwanda took reconciliation into their own hands through the tradition of Umuganda.

These types of characters (or caricatures) of Americans abroad behaving badly have been around at least since the days of Mark Twain and Henry James. What's striking is how little, in some ways, the depictions have changed between the late 19th century and the present age of smartphone-wielding mobs stalking the "Mona Lisa," and beery, breast-flashing collegians whom Latin Americans refer to, with eye-rolling exasperation, as los springbreakers.

The last time they were in Hong Kong, two filmmakers from Wong Fu Productions got “pop-star style” hair cuts and ate McCurry burgers at McDonald’s. The two Chinese American YouTube stars embraced the local culture for what it was – a mixture of flash and culture. Wesley Chan and Philip Wang, who founded their film company in California with a third member, Ted Fu, said their roots were here in Asia. That’s part of the reason they keep coming back.

Aerial shots of Jerusalem filled the big screen, along with a giant concrete wall built along the Green Line. We saw security checkpoints at the entrance to Israel but in a very different context than the typical portrayal of checkpoints. These giant walls and security measures were seen as safety, salvation, and stimulated a positive feeling in the audience.

The Embassy of Malta and the Culture Diplomacy Fund in cooperation with The Malta Film Commission organized on the 17 of June 2013 an event entitled ‘CineMalte – les possibilités d’une Ile’. This was the first time ever that such a cultural activity promoting the Maltese cinematographic industry was held in Paris.