The Australia Council for the Arts has announced that nine established Aboriginal Art Curators are taking part in an international exchange program at the 57th Biennale in Venice. Ozco's Executive Director Strategic Development and Advocacy, Dr Wendy Were explained that the First Nations Curators Program at the 2017 Venice Biennale builds on the First Nations Curators Exchanges held at 8th Asia Pacific Triennial in 2015 and in New Zealand in 2017 involving Australians, New Zealanders and Canadians.

“Project Zimbabwe explores other aspects of life related to Zimbabwe such as fashion, film, arts and culture, allowing people to see and experience the amazing sounds and talents from Zimbabwe. This is done by featuring events, interviews and reviews,” he said

The South Africa based Sylt Foundation and Myanmar online journal, Be Untexed, collaborated to lead the event which included an art exhibition, workshop and poetry reading. Han Lynn, the curator of the art festival and member of Be Untexed online journal said, “‘Violent Memories’ is the long-term project of the ‘Transformation and Identity, Trauma and Reconciliation’ which includes eight different countries.”

Deb Mukharji is a writer and a former Diplomat. He served as the Indian High Commissioner to Bangladesh, and is a long time friend to our country. Being an ardent art lover and culture enthusiast, he writes about Bangladesh's involvement in the Khajuraho Dance Festival.

Mr Low Sze Wee, Director, Curatorial, Collections & Education, National Gallery Singapore, shared with Rattana Lao (Modern Diplomacy) on the origin, expectation and reception of the Artist and Empire: (en) countering colonial legacy exhibition at the National Gallery Singapore. [...] "Through this, we hope the exhibition will generate greater discussion on the formation of national identities and their complex relationships with the colonial experience."

Irina Bokova, the director general of Unesco, talked about how culture was instrumental to economic growth, citing a 2015 study that said the arts generated 29.5 million jobs worldwide, more than the auto industry. “Development without culture cannot be sustainable or equitable or inclusive,” she said. Other discussions at the conference resonated more subtly with the most salient issues of the day, including panels on refugees, censorship, heritage preservation and cultural diplomacy.

Highlighting the collaborative efforts between the UAE and the UK in the fields of art, literature, science, sport, and trade, Sheikh Nahyan, who is also Patron and Honorary Member of the group, said, "We are all veteran diplomats of culture. Thus it is that we should all thrive in this UAE-UK year of cultural collaboration. This year of collaboration promises to deepen and strengthen our mutual understanding in beautiful, entertaining, instructive, and exciting ways."

“Merkel maybe can do something to open the border,” Farhad said in English, which he has learned over the year since he fled war and poverty in his home country. Farhad also likes to draw portraits of his family and friends, fairytale castles, nature or anything else that comes to mind. Painting, he said, has helped during the flight. “I was in Turkey, I was in Greece,” Farhad said of the trip. “Here in the camp I like my painting, I like drawing my feelings and faces.”