Cultural Diplomacy

Norwegian artist Morten Traavik, who drew global attention in 2015 by bringing Slovenian avant-garde band Laibach to perform in Pyongyang, will hold the first-ever art symposium in North Korea, Aug. 26 to Sept. 4. His latest initiative named "DMZ Academy" seeks collaborative works between artists from North Korea's state-run institutions and those from the outside world, amid heightened tensions on the peninsula.

Indian Council for Cultural Relations (ICCR), Ministry of External Affairs in association with the Department of Students Welfare University of Jammu is going to organize first ever Mime Festival and Workshop in Jammu.

The committee, devised in 1982 under the Ronald Reagan administration, was initially created to advise the White House on cultural issues. However, that mission has become extraordinarily difficult under the Trump administration, Penn tells Vanity Fair.

Marriyum Aurangzeb said that Pakistan was keen to encourage cultural exchanges and people-to-people contacts to enhance and deepen the religious and cultural bonds which already existed between the two neighboring countries. She said that Pakistan would welcome any initiative by the Iranian government for further expansion in the cultural ties and shall take every possible step to introduce each other's culture to the people of both the countries.

Rouble Nagi Art Foundation and Kaneka Sabharwal are teaming up to showcase a first of its kind art initiative supported by the Government Of India, welcoming international contemporary artists and connecting creative enthusiasts from India and Bahrain through an unparalleled exchange programme of artist interventions.

There was no ceremonial meeting between officers of the Indian and Chinese armies on the Independence Day today at the strategic Nathula border amid the continued standoff at Doklam, but personnel from two sides exchanged sweets.

A new article in the International Journal of Cultural Policy looks at India's focus on "international cultural relations."

Hiroyoshi Takeda is not a typical Japanese man. Instead of a suit and tie, the 39-year-old Tokyoite wears T-shirts with technicolour caricatures of a mustachioed south Indian movie star. Rather than bowing, he dances. He doesn’t ride the metro, but travels the streets in a gaudily adorned autorickshaw imported from Tamil Nadu.

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