Cultural Diplomacy

Have you ever tried teaching classic literature to language learners? Teacher trainer Chris Lima explains how 19th century language and culture are less of a hindrance in relating literature – and Jane Austen specifically – to language students than one might assume. I suppose most teachers’ first reaction towards working with Jane Austen in the English language classroom is not very different from the reactions we have when people mention Shakespeare or Dickens, or literature in general.

Venomous political attacks have become the norm in Venezuela, and now a governing party legislator has unleashed a tirade in the country's legislature using gay slurs in trying to discredit the opposition. The lawmaker displayed photos in the National Assembly on Tuesday showing a top aide to opposition leader Henrique Capriles dressed, along with other men, in women's clothing, apparently at a party. He suggested, without elaboration, that the photos proved the aide's involvement with drug traffickers and male and female prostitution.

The very wonderful Russian superstar opera singer Anna Netrebko this week made a very cryptic statement. She posted the following on her Facebook page: “As an artist, it is my great joy to collaborate with all of my wonderful colleagues, regardless of their race, ethnicity, religion, gender, or sexual orientation. I have never and will never discriminate against anyone.”

It’s a classic image of England, but “classic English” isn’t what I’ve come looking for today. Quite the opposite, in fact. I’m here in Bristol to explore a side of this historic port city that hasn’t always been smiled upon by the establishment, including the local police. I’m here to see graffiti. Walls and walls of graffiti.

A Cirque du Soleil performance left a Beijing audience audibly shocked when a banned image of the iconic Tiananmen "tank man" protester was displayed on giant screens in front of 15,000 people. The politically-charged image -- of a sole, unarmed protester blocking a line of tanks during a 1989 government crackdown in Tiananmen Square -- was displayed for about four seconds as part of a montage of protest imagery during a performance of Michael Jackson's "They Don't Care About Us," according to a post on That's Beijing magazine's website.

In a recently televised broadcast of Chinese Character Dictation Conference — China’s equivalent of a spelling bee — the nation’s best and brightest were asked to write, in its traditional form, a word that stumped 70% of the teenage contestants and a startling 90% of the grown-up audience (who, as voluntary spectators at a spelling bee, were probably no literary slouches themselves). The word that eluded this extremely well-read crowd was toad. Pause and consider that for a moment.

“Art-Culture-Life”: So beckoned the humble sign. Being a fan of all three, I made my way inside. Art came first in a portico lined with rich, Dalí-esque landscapes; in the craft shop, stocked with mottled straw purses and hand-carved bowls; on restaurant walls, splashed with multihued graffiti. There was culture, yes, in the form of eclectic sounds: a D.J. spinning house music and an open-mic session showcasing poets and singers from Africa to America.

This year’s Malmo Arab Festival in Sweden will screen more than 100 Arab films in a bid to facilitate cross-cultural exchange, it is set to run from September 2-8. Directed by Mohammed Keblawi, the festival will showcase films from countries around the region including Palestine, Qatar, Syria, United Arab Emirates and Saudi Arabia. The festival will also honor a number of Arab actors and industry experts for their contributions to the world of Arab cinema, television and theatre.

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