This evening, 21st November, 2013, Europe met Asia on the lush and verdant lawns of the Spanish Ambassador’s residence in New Delhi. Two of the greatest performers of Flamenco guitar music, with a singer and accompanist and a powerfully expressive female Flamenco dancer performed before a select audience of about 200, the Indian capital’s glitterati. They were joined on the stage by a group of seven Langa musicians and singers from the land of Marwar in Rajasthan.

She lives in post-war Uganda and used her skills to create the necklace she’s wearing from recycled paper, a traditional jewelry art form in her country. The income she earns enables her to go to school for the first time at 27 years old, along with her children. As one of the designers of the 31 Bits team, she is reaching her once out-of-reach dreams.

Who would have expected a neophyte Australian foreign minister to get policy right on Sri Lanka while India’s prime minister scores yet another foreign policy own goal in his backyard? Julie Bishop rejected calls for Australia to boycott the Commonwealth Heads of Government Meeting (CHOGM) in Colombo on Nov. 15, insisting that Sri Lanka’s human rights are better advanced by engagement than isolation. Australian Prime Minister Tony Abbott duly attended.

There’s been a lot of talk these days that globalization is dead, even reversing — and for good reason. It seems that many of the factors that had been driving globalization have run out of steam. The growth of trade, which has long outpaced the expansion of the world economy, has slowed in recent years. Negotiations to forge a new global-trade agreement, the Doha Round through the World Trade Organization, have been stalled for years.

Not only are India’s Andaman and Nicobar Islands an entryway into a world of pristine beaches and natural wonder, they are also home to wonderful people. Tanaz Noble is one of them. The 29 year-old is a certified instructor of kayaking who not only trains tourists in water sports but also promotes ecological and environmental preservation.

Embassies generally busy themselves promoting their own culture and values, spending a large sum of their financial resources inviting cultural troupes from the countries they represent. What if, in addition to promoting their own culture, they could promote the culture and talent of their host countries without committing major financial resources? Wouldn't it be a masterstroke in the practice of public diplomacy and economy of resources?