This week at CPD, we hosted Dr. Timothy Potts, the director of the J. Paul Getty Museum, who discussed the Cyrus Cylinder as a cultural icon and museums as vehicles for promoting global dialogue. Potts shared with us the history and meaning of the Cylinder; a clay foundation deposit no larger than a loaf of bread inscribed following Cyrus the Great’s incorporation of Babylon into the Persian Empire in 539 BCE.

Saudi Arabia dealt a high-profile snub to the international community and the United States on Friday when it turned down a rotating seat on the United Nations Security Council. The unprecedented move was a culmination of months of public derision directed toward the U.S. for its halfhearted approach to intervention in Syria, its tacit support of the Muslim Brotherhood in Egypt and, most recently, its overtures to Iran.

Gil J. Stein, the Director of the Oriental Institute and Professor of Near Eastern Archaeology in the department of Near Eastern Languages and Civilizations at the University of Chicago, who is in Iran now has called on Abdolmajid Arfayee, the translator of the Cyrus Cylinder, to translate the Achaemenid tablets which have been confiscated by a court in the US.

The Cyrus Cylinder, a small clay object dated from the sixth century B.C.E. and covered in Babylonian cuneiform script of an imperial decree by King Cyrus of Persia, is considered by many to be a powerful symbol of cultural and religious tolerance. Its international touring exhibition, spearheaded by the British Museum, has drawn broad global attention and is, by most measures, a resounding success.

Egyptian Foreign Minister Nabil Fahmy has offered to mediate easing tension between the Gulf States and Iran during his visit on Saturday to the United Arab Emirates. “The tensions between Iran and the UAE have a negative impact on Egypt, and I am ready to meet any demands from the Gulf Arab states to clear the climate with Iran if needed,” Fahmy said in an interview with Al Arabiya.