Piracy, the scourge of Hollywood, may have become one of America's powerful diplomatic tools – is it the new propaganda? [...] "The last thing they think is that it [pirated movies] represents a tool of cultural diplomacy, involving a foreign culture or government, and that its illegality could even make this mainstream fare more alluring than originally planned.”

It's easy for most of us to get behind the theme for World Intellectual Property Day this year: "Movies, A Global Passion."  From Santa Monica, where I spent almost 20 years working in the entertainment sector, to Paris, France, where I most recently served four years as U.S. Ambassador, I have witnessed firsthand people's excitement and reverence for films -- Hollywood's in particular.

Policy makers in Beijing also want to bolster China’s “soft power” capabilities to extend its cultural influence internationally, and the film industry is considered one of the most promising avenues for doing so.

Just as the Beatles and rock ’n’ roll helped bring down the Kremlin, Bollywood might yet prove to be the undoing of the most noxious brand of Islamic fundamentalism.

The film, “The Flowers of War...is Mr. Zhang’s take on the Nanjing Massacre. At the moment, no other cultural product or artist better embodies the hunger by the Chinese state and its citizens to create culture that can attract foreigners, bolstering China’s “soft power”...

In Morocco, I have come to experience India through two main elements: Bollywood movies and sari fabrics. Looking back at college, I remember borrowing an Indian movie DVD titled, Kuch Kuch Hota Hai from one of my friends... Watching Indian movies was a popular entertainment...

The Chinese communist regime’s United Front soft-power propaganda war aimed at shaping world opinion through culture, film, and media, has just fired an embarrassing dud, with not a single audience member showing up at the 2011 China Movie Culture Week opening night at New York’s Lincoln Center.