music diplomacy

Mahmud and Della Mae

I got into the public diplomacy game as a local hire as a Foreign Service National (FSN) working for the Israeli Foreign Ministry as a Press Officer for the Consulate General of Israel to the Southwest. As such, I have a deep appreciation for others who work as FSN for various foreign ministries and the U.S. Department of State.

What’s the greatest reward for being a cultural ambassador? According to Keola Beamer, master of the Hawaiian slack key guitar, it’s that moment when you see that you’ve truly touched someone and “you see this beautiful light in them. That’s what we do it for.” Beamer, his wife, dancer and hula master Moanalani Beamer, and fellow guitarist Jeff Peterson traveled through Brazil with the American Music Abroad (AMA) program earlier this year to share the “philosophy of Aloha, a warm philosophy of embracing other people and cultures” in the world.

It’s a long way from Timbuktu to Lincoln Center, and not just geographically. For the musicians performing on Wednesday in the Festival au Désert as part of the Lincoln Center Out of Doors series at the Damrosch Park Bandshell, the path from there to here has included an Islamist takeover of their Saharan homeland, followed by a religious war on music and then a French-led military intervention.

There is a traditional African proverb that warns, “When elephants fight, it is the grass that suffers.” The grasses of Rwanda have known suffering. But while the elephants grew tired of fighting, the grass continued to grow. After the genocide in 1994, the national strategy for recovery was based upon the tenets of reconciliation, repatriation, and remembrance. In order to make sure “never again” became a reality and not just a mantra of genocides past, the government of Rwanda took reconciliation into their own hands through the tradition of Umuganda.

Popular Colombian band Bomba Estereo has been asked to cancel their free concert in Jaffa as part of a boycott of Israel. The appeal has been made by the Colombian section of the “boycott Israel” campaign has appealed to the band to turn down the invitation to play in Jaffa to stand in solidarity with the Palestinian people.

For five days in July, the New Yorker hotel in midtown Manhattan hosts the daytime sessions of the Latin Alternative Music Conference (or LAMC). Each afternoon there are talks, gear demonstrations, lots of networking, and a general pulse of excitement in the air, but one of the best things about attending LAMC is the chance for unexpected encounters and chats with artists creating music all over the globe: From bands that are coming to the US for the first time, to industry veterans with Grammys lining their mantles.

Sharing a love for music – and head-banging – two Israeli and Palestinian rock bands have joined forces to take a “message of coexistence through rock’n’roll across Europe,” The Guardian reported on Monday. The Israeli band “Orphaned Land” and Palestinian group “Khalas” both believe that music is above politics, religion and conflict and should bring people together.

At its core, the Latin Alternative Music Conference is a gathering of dedicated underdogs, rallying behind music that envisions a polyglot, multicultural, border-hopping 21st-century culture but faces stubborn barriers, in the United States, of language and radio formats. The term “Latin alternative” makes room for pop, indie-rock, electronica, hip-hop, punk and hard rock, all loosely connected by a willingness to push past divisions of genre and geography.

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