film diplomacy

Japan should be patting itself on the back after this soft-power success. In particular, “Your Name.” [...] “Your Name.” wasn’t aimed at a global audience — in fact, those involved with it didn’t even realize how big it would be domestically — but still had a universal theme.

“Bollywood is no longer Hollywood’s poor cousin. Bollywood is no longer just a convenient nomenclature devised by unimaginative folks. Bollywood cinema is one of the strongest global cultural ambassadors of a new India. And India is on its way to becoming a global soft power to reckon with,” Swaminathan contends in the book.

"Film co-productions can help foster greater cultural exchange and understanding between two different countries, such as China and the United States," Hollywoord film director Julia Pierrepont III said at her home in Sunland, Los Angeles.

During the meeting, the two ministers stressed on all-out expansion of ties in areas like politics, economy, and culture. “We are ready to cooperate in areas like cinema, music, culture, and art,” reassured the Iranian minister. “The areas of extensive cooperation are ready however it may be labeled badly or sabotaged.” Mr. Salehi Amiri boasted the success of Iranian cinema in the world and called for close cooperation for producing joint cinematic works.

Bosnia Cello, by Mikhail Evstafiev
March 21, 2017

A new book looks at TV and film adaptations of the 1992-1995 Bosnian War.

The Ministry of External Affairs is going to use documentaries to showcase India in the international arena as a part of its effort to strengthen India’s “soft power”. The External Publicity & Public Diplomacy (XPD) Division of Ministry of External Affairs has invited proposals from filmmakers to make documentary on “India—a science and technology super power” and three separate documentaries that will cover the architectural, cultural and natural heritage of India.

A Japanese documentary released Saturday depicts the life of a Korean student who sacrificed himself to rescue a Japanese man in a subway station in Tokyo in 2001. [...] The film comes out at a tense time in Korean-Japanese relations after official protests from Tokyo over statues set up in Korea to honor the victims of the Japanese Imperial Army's drafting of Asian sex slaves in World War II. 
 

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