Neal Rosendorf urges the entertainment industry to leverage its public diplomacy prowess for the greater good.
Chile’s official foreign language entry for the Academy Awards this year is Pablo Larraín’s Neruda, but those expecting a simple biopic on the Chilean poet will be in for a surprise.
For the second year in a row, #OscarsSoWhite has dragged America’s diversity problem back into the global spotlight. [...] Yet the recent report by USC’s Annenberg School found that not much has changed—only seven percent of films in the past year had casts that accurately reflected the nation’s actual demographics.
The Academy of Motion Picture Arts and Sciences awards its Oscars on Sunday, and one of the nominees in the category of Best Documentary Feature is “Winter on Fire: Ukraine’s Fight for Freedom,” a chronicle of the 2013-14 protests in Kyiv.
Foreign audiences are more important than ever for Hollywood...so why are we still seeing all-white casts?
Oscar-nominated Winter on Fire is bringing international attention back to Ukraine.
A recent proposal of the Information and Broadcasting (I&B) Ministry to this effect received a big thumbs-up from Prime Minister Narendra Modi. Now the ministry has started planning the dedicated corpus — funded by the government and the film industry — to finance full-fledged publicity campaigns for India’s entries in the run-up to the Academy Awards.
For years, mainland China has thrown the big-budget movies of its most-heralded directors into the Oscars' foreign-language film race. (...) This season, China is trying something different — very different. It has selected a film directed by a Frenchman as its foreign-language candidate.