The Ministry of Diaspora Affairs and Public Diplomacy established a special web site and focuses much of its attention on this issue. While high ranking government officials grapple with this problem, a group of 14- and 15- year-old boys are putting on a clinic regarding how to improve Israel’s image – just be nice.

What Nike and Ralph Lauren don’t do is make their own products in the U.S. or elsewhere – and this has become their competitive advantage...So let’s stop whining about a few “made in China” tags and start cheering for all of the great athletic performances made possible by superior U.S. innovation.

American companies sell innovative, high-quality goods and services that are highly valued around the globe. Moreover, the "American brand" itself has tremendous value because it symbolizes a commitment to quality, service, corporate responsibility, and strong ethics that is associated with our very best companies.

The GIST initiative forges links at the individual and institutional levels among technology entrepreneurs, angel investors, and the marketplace...In Africa, GIST is powered by LIONS@FRICA, a Department of State public-private partnership that shares the GIST mission to create economic opportunity through innovation and entrepreneurship.

Russia's new NGO law is more than a move against organizations receiving foreign funding. It is part of a broader campaign to squeeze out those the Kremlin sees as peddlers of "soft power." The law, pushed through Russia's lower house, would see groups receiving funding from abroad dubbed "foreign agents."

The “India Is” photography competition is slated to start from August 2012 while the video competition will start from December 2012. Both the competitions are expected to capture various facets of India, the Taj Group said in a statement.

This collaborative work is making the case that effective cultural diplomacy need not aspire to control the message. It is not best deployed when closely linked to the priorities of policy makers or defined national interests. Nor is it always desirable for acts of cultural diplomacy to be framed in terms of the goal of the representation of a people.

While taking part in an energetic three-day convening at Georgetown University dedicated to “Global Performance, Civic Imagination, and Cultural Diplomacy,” it became clear that the meeting was itself evidence for the continued emergence of a global network linking artists, performers, cultural policy makers, human rights activists, social justice advocates, academics, diplomacy practitioners, and others in international affairs, all variously pursuing new intersections of the arts with cu