public diplomacy

April 16, 2012

The key learning from Wednesday's broadcast is that we don't have to portray Africa as hopeless to raise money or engage listeners. Inspiration and personal stories are enough, and from the many calls we took at our offices, they reach people in a different and more profound way than easy stereotypes.

"Six years ago, the two countries had decided to sign an MoU with the Indian Council for Cultural Relations, but it was stuck for cultural exchange. But we want to carry the MoU forward to promote people-to-people contact. Every Pakistani heart is open... India should also open the door of its heart to Pakistani art and culture," Nasir said.

What it does mean is that European nations will have to break their decades-old dependence on the United States for taking care of their defense, providing the strategic thinking for them and keeping Europe’s own backyard — the Balkans — stable.

China has long kept up a barrier against foreign films — wary of insidious cultural influences while sheltering its own filmmakers. Officials last raised the annual cap on foreign movie imports as a condition of joining the WTO in 2001. The recent increased foreign movie quota is a belated response to a trade dispute the U.S. won nearly three years ago.

“I hope that through this, the first of our cultural dialogues with China, we will develop deeper ties across all the areas that interest us. China is a country with a vibrant cultural past and a growing economic future. There is much that we can learn from one another.”

On April 16, 2012, the USC Center on Public Diplomacy was pleased to host a briefing in Washington, D.C. as a follow-up to its February 27 conference at USC - Water Diplomacy: A Foreign Policy Imperative.

CPD Director Philip Seib participates in a Center for Strategic and International Studies roundtable in Washington, D.C. on April 17.

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