Words without Borders tells us that "50 percent of all books in translation now published worldwide are translated from English, but only six percent are translated into English." "The conversation between the reading public in the United States and the rest of the world has become more like a monologue."

There is good reason to think that, whatever happens as a part of these expressive or performative opportunities, cultural diplomacy as display and for the creation of an audience is in fact not the best route to intercultural dialogue.

Big studios are trying to push further into China, where box office receipts rose more than a third last year to $2 billion. China represents one of the most attractive growth opportunities for the U.S. movie industry, which is facing declining North American theater revenue and slumping DVD sales.

For the students of diplomacy, the photographs detailing the early years of Asean are objects of nostalgia and politics. Established on August 8, 1967, the Association of Southeast Asian Nations (Asean) was composed of Indonesia, Malaysia, Singapore, Thailand and the Philippines.

This post continues my preliminary discussion of the results of a survey I recently conducted, designed to invite practitioners of cultural diplomacy to reflect upon their own practice. Additional discussion of this survey can be found in my February 15th post.

Ambassador Herbie Hancock believes what the world needs is a little jazz diplomacy. "This is really about the international diplomatic aspect of jazz and how it has throughout a major part of its history been a major force in bringing people of various countries and cultures together."

And the ambitions go further: to use Scottish Water’s land for wind-power generation, to export water technology (it already does so, to Canada) and what it grandly calls “water diplomacy”. At one level this seems to mean Scottish Water’s support for the international charity WaterAid, helping with water projects in Africa and other poor parts of the world.