It is always heartening to hear discussion of historical artifacts not strictly as museum pieces but as instruments that can transmit other cultural messages and interpretations of identity. The Cyrus Cylinder is an example of ancient cultural heritage that resonates with new meanings today. Inspired by the blogs by Jay Wang and Naomi Leight my interest was sparked on this subject.

Embassies generally busy themselves promoting their own culture and values, spending a large sum of their financial resources inviting cultural troupes from the countries they represent. What if, in addition to promoting their own culture, they could promote the culture and talent of their host countries without committing major financial resources? Wouldn't it be a masterstroke in the practice of public diplomacy and economy of resources?

The deteriorating security situation throughout much of the Arab world underscores the need to urgently search for nonviolent methods of achieving stability. At the heart of the current unrest are not only political issues but also economic failures that are wiping out the vestiges of hope that remain after the region’s recent revolutions.

This week at CPD, we hosted Dr. Timothy Potts, the director of the J. Paul Getty Museum, who discussed the Cyrus Cylinder as a cultural icon and museums as vehicles for promoting global dialogue.

The Cyrus Cylinder, a small clay object dated from the sixth century B.C.E. and covered in Babylonian cuneiform script of an imperial decree by King Cyrus of Persia, is considered by many to be a powerful symbol of cultural and religious tolerance. Its international touring exhibition, spearheaded by the British Museum, has drawn broad global attention and is, by most measures, a resounding success.

A new book by Naomi Sakr, Transformations in Egyptian Journalism (I.B. Tauris, 2013), should be required reading for American public diplomacy specialists who want to engage Egyptians through the media.

A few months ago, the Pew Research Center observed that Americans’ “isolationist sentiment” hit an all time high. According to Pew, Americans want to pay attention to problems at home, rather than focusing on problems overseas.

The increased tempo of Beijing’s public diplomacy activities in recent years, from Confucius Institutes to the 2010 Shanghai World Expo, have received poor to mediocre reviews internationally. Expensive projects have been received positively by the Chinese public, but have done little to reverse China’s continued international image problems. Although a narrative of crisis pervades international scholarship on Chinese public diplomacy, there appears little evidence to suggest that Beijing is concerned.