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Hawaiian Culture Travels to Brazil

Apr 4, 2014


In April 2013, I had the opportunity to accompany the Hawaiian slack key guitar ensemble Keola Beamer and Jeff Peterson, with Moanalani Beamer, as tour manager as the group toured Brazil with the U.S. Department of State's American Music Abroad program.  This program is the State Department's flagship musical diplomacy program, and has evolved from the legendary Jazz Ambassadors program.  The American Music Abroad program communicates the broad spectrum of the American musical landscape, showcasing genres ranging from bluegrass to hip hop to jazz, among many other styles. This particular tour marked the first time that Hawaiian music and culture had been displayed as a form of American cultural diplomacy in connection with the American Music Abroad program.

For five weeks, the ensemble Keola Beamer and Jeff Peterson, with Moanalani Beamer, toured Brazil from north to south.  While on tour, the ensemble gave performances, master classes for music students, collaboration sessions with local musicians and education programs for students.  As part of the master class sessions, the ensemble shared traditional Hawaiian music and instruments, like the Hawaiian nose flute.  This is a treasured instrument in Hawaii because Hawaiians believed that while a falsehood could be told from the breath of your mouth, the breath of your nose was incapable of deceit, and therefore the melodic sound of the nose flute is considered pure. 

The Samba Nation of Brazil especially enjoyed learning to dance hula with hula master Moanalani Beamer (pictured above).  The hula demonstrations proved a potent form of cultural diplomacy as Brazilians were enthralled with the intricate motions and learned to share stories through movement.  At a community center in Sao Paulo, hula students who had been studying the Hawaiian art form via YouTube arrived hours early in excitement for their first class with a real live hula instructor, and literally cried tears of joy when the class concluded.


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